Group Discussion Paper-Identify examples of Maria de Medici visual propaganda

The art presentation is oil on canvas done on a 394 by 295 centimeters. Cherub and Marie are the only duos having a look at the viewer with consideration of the future importance and central authority of Marie and her progeny for France. A burly vertical axis connects the painting from the top via Marie de Medici showing the fertile maternal linkage between mothers and wives. The artist's great inspiration was Titian from the Venetian renaissance (Forster, 99). Some of the suggestions was that the Medici produced two queens and four popes of France. The intended audience included Donatello, Brunelleschi, Galileo, Michelangelo, and Leonardo. The idea of decorating the western and eastern galleries of the Luxembourg palace was meant to celebrate the triumphs and battles of Henry IV. The wing of the west held and displayed the heroic and glorious life of Marie de Medici. Group Discussion Paper-Identify examples of “Maria de Medici” visual propaganda On deciding what to use, the body is drawn in contorted positions in the classical style of the ancient Rome and Greek with occasional erotism and intense realism. The artist wanted the viewer to ponder the works emotional aspects. The inclusion of iconography in the portrait of females was meant to display equal status with men. The image displays Marie de' Medici as soft, sensual, desirable, and beautiful. There is the use of symbolism and layered metaphor in the portrait. The winged gods of marriage and love symbolize the portrait of the queen to the enamored King Henry…

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